• © Jaha Koo

 

Floating aromas of a steamy simmering soup, the sharp sound of a knife quickly slicing spring onions, hissing and sizzling of mushrooms on a scorching fire.

In Haribo Kimchi, we find ourselves in a pojangmacha, a typical late-night snack bar that can be seen scattered across the streets of South Korea. There we meet several lost souls: A YouTuber, an eel, a toad and a rice cooker. They take us on a culinary journey, exploring food culture as a form of language that reveals the structure of a society. In several absurdist and touching anecdotes, they recount the diaspora of Kimchi culture, cannibalism during the great famine, the sour pain of unadulterated racism and the deep umami taste of home.

After the Hamartia Trilogy (2021), in which he delved into the far-reaching imperialism in East Asia, the South Korean theatre maker and composer Jaha Koo returns with his newest creation. In his typical hybrid style, combining music, cutting- edge video and robotic performers, the artist reflects on cultural assimilation with all its conflicts and paradoxes. In an exceptional performance that plays with all the senses, he alters our perception of food for good.

Haribo Kimchi will premiere 10 May 2024 at Kunstenfestivalsdesarts, Brussels.